Skip to main content
Want more images or videos?
Request additional images or videos from the seller
1 of 9

Pablo Picasso
Sculpture et Sculpture 6/10

1965

About the Item

Between 1964 and 1965, Picasso created 10 aquatint etchings that were published as a supplement to Pierre Reverdy's literary work "Sable Mouvant". A strictly limited edition of ten prints each with wide margins was also made of the 10 motifs. The present print is the sixth from this special edition. The regular edition is 255 copies. Illustrated in: Georges Bloch, Pablo Picasso Catalogue of the printed graphic work 1904 -1967, Volume I (Berne, 1968), no. 1187, p. 251." Signed lower right, numbered lower left: VI/X. Dated in the plate.
  • Creator:
    Pablo Picasso (1881-1973, Spanish)
  • Creation Year:
    1965
  • Dimensions:
    Height: 22.64 in (57.5 cm)Width: 18.31 in (46.5 cm)
  • Medium:
  • Movement & Style:
  • Period:
  • Condition:
  • Gallery Location:
    Wien, AT
  • Reference Number:
    1stDibs: LU178229753292
More From This SellerView All
  • Le Viol II
    By Pablo Picasso
    Located in Wien, 9
    - handsigned on the lower right - dated and unreadable inscripted in the plate - from the Suite Vollard - plate size: 19,5 x 27,6 cm; sheetsize: 34 x 44,5 cm - edition of 250 - cat. ...
    Category

    1930s Modern Figurative Prints

    Materials

    Drypoint, Etching, Aquatint

  • Herzklopfen
    By Arik Brauer
    Located in Wien, 9
    Etching and aquatint in colour on chamois-coloured wove paper, printing plate size approx. 25.8 x 20.8 cm, sheet size approx. 54.8 x 41.8 cm, handsigned on the lower right, numbered ...
    Category

    1960s Contemporary Figurative Prints

    Materials

    Aquatint, Etching

  • Maison close. Bavardages, avec perroque, Célestine, et le portrait de Degas
    By Pablo Picasso
    Located in Wien, 9
    - stampsignature on the lower right - numbered 27/50 lower left - dated in the plate dimanche 4. avril 1971 - Plate 109 from the Suite 156 - cat.raisonné Blo...
    Category

    1970s Modern Figurative Prints

    Materials

    Etching

  • Untitled, 1971
    By Pablo Picasso
    Located in Wien, 9
    - Plate 118 from the Suite 156 - edition 48/50 - stamp signature - dated in the plate 17.5.71 - cat. raisonné Bloch 1973; cat. raisonné Baer 1982
    Category

    1970s Modern Figurative Prints

    Materials

    Etching, Drypoint

  • Le peintre au cirque
    By Pablo Picasso
    Located in Wien, 9
    - Plate 55 from the Suite 156 - with stamp signature - dated in the plate 2.3.70 - edition 26/50 - cat. raisonné Bloch 1910
    Category

    1970s Modern Figurative Prints

    Materials

    Drypoint, Etching

  • La fête de la patronne, petit chien, fleurs et potins, portrait de Degas au mur
    By Pablo Picasso
    Located in Wien, 9
    - signed on the lower right - dated in the plate in reverse: 17.5.71 - numbered on the lower left: 42/50 - plate 129 from the Suite 156 - cat. raisonné Bloch...
    Category

    1970s Modern Figurative Prints

    Materials

    Etching

You May Also Like
  • Inspiration, 1981 (Les Songes #8)
    By Marc Chagall
    Located in Greenwich, CT
    Inspiration is an etching and aquatint on paper with an image size of 12 x 9 inches, signed 'Marc Chagall' lower right and annotated lower left. From the edition of 61, numbered VII/...
    Category

    20th Century Modern Prints and Multiples

    Materials

    Aquatint, Etching

  • Twixt Dawn and Day
    By Sir Frank Short
    Located in Storrs, CT
    Twixt Day and Dawn. 1919. Aquatint. Hardie catalog 165 state ii. Image 9 7/8 x 11 1/2 (sheet 13 9/16 x 16 7/8). A masterly inked impression produces subtle lighting variations throu...
    Category

    Early 20th Century Modern Landscape Prints

    Materials

    Aquatint

  • San Marco [Venice].
    By William Walcot R. E. Hon. R. I. B. A.
    Located in Storrs, CT
    William Walcot. R.E., R.I.B.A. San Marco. Etching with drypoint and aquatint. Dickins 66, Harvey-Lee 91. 3 7/8 x 5 7/8 (sheet 9 1/4 x 12 1/8). Venice set, # 2. Edition 415. A rich impression printed on cream wove paper. Fold in the margin, well outside the image; otherwise good condition. Signed in pencil. Housed in a 16 x 20-inch archival mat. Soon after Walcot's arrival in England, the Fine Art Society sponsored a trip sent to Italy. This scene is one of four small drypoints that resulted from the artist’s stay in Venice. When he was seventeen, he began to study architecture under Louis Benois at the Imperial Academy of Art in Saint Petersburg. He went to Paris where he continued his studies at the Ecole des Beaux-Arts and the Atelier Redon. He practiced as an architect briefly in Moscow, designing the Hotel Metropole...
    Category

    Early 20th Century Modern Landscape Prints

    Materials

    Drypoint, Etching, Aquatint

  • Chelsea Old Church, London
    By William Walcot R. E. Hon. R. I. B. A.
    Located in Storrs, CT
    Chelsea Old Church. 1924. Etching, drypoint, and aquatint. Dickins 94. 5 3/8 x 8 (sheet 8 1/2 x 9 3/4). Edition 100 for The Print Collector's Club. A fine proof with tonal wiping, printed on cream wove paper. Signed and dedicated "W.R. Button from W. Walcot London 1930" in pencil. Chelsea Old Church, also known as All Saints, is an Anglican church, on Old Church Street, Chelsea, London SW3, England, near Albert Bridge. It is the church for a parish in the Diocese of London, part of the Church of England. Inside the Grade I listed building, there is seating for 400 people. There is a memorial plaque to the author Henry James (1843–1916) who lived nearby on Cheyne Walk. To the west of the church is a small public garden containing a sculpture by Sir Jacob Epstein. When he was seventeen,William Walcot began to study architecture under Louis Benois at the Imperial Academy of Art in Saint Petersburg. He went to Paris where he continued his studies at the Ecole des Beaux-Arts and the Atelier Redon. He practiced as an architect briefly in Moscow, designing the Hotel Metropole...
    Category

    Early 20th Century Modern Landscape Prints

    Materials

    Drypoint, Etching, Aquatint

  • Ludgate Hill
    By William Walcot R. E. Hon. R. I. B. A.
    Located in Storrs, CT
    Ludgate Hill. 1921. Etching, aquatint, and drypoint. Dickins 69. 5 5/8 x 5 1/8 (sheet 13 5/8 x 9 3/4). A fine proof with plate tone, printed on 'J Wha[tman] cream wove paper. Edition of 275 for the UK and 125 for the US. Signed in pencil. Ludgate Hill is a street that runs west from St. Paul's Churchyard to Ludgate Circus (built in 1864), and from there becomes Fleet Street. The Ludgate Hill railway station, between Water Lane and New Bridge Street, is a station of the London, Chatham, and Dover Railway. It was closed before World War II and the railway bridge and viaduct between Holborn Viaduct and Blackfriars stations was demolished in 1990 to enable the construction of the City Thameslink railway station in a tunnel. This also involved the regrading of the slope of Ludgate Hill at the junction. About halfway up Ludgate Hill is St Martin, Ludgate church. This was physically joined to the Ludgate. When he was seventeen, William Walcot began to study architecture under Louis Benois at the Imperial Academy of Art in Saint Petersburg. He went to Paris where he continued his studies at the Ecole des Beaux-Arts and the Atelier Redon. He practiced as an architect briefly in Moscow, designing the Hotel...
    Category

    Early 20th Century Modern Landscape Prints

    Materials

    Drypoint, Etching, Aquatint

  • Don't Scream, Fool - Etching after Francisco Goya - 1881/86
    By Francisco Goya
    Located in Roma, IT
    Don't Scream, Fool (No grites, tonta) is an original modern artwwork realized by Francisco Goya between 1794-1798. Plate n. 74 from "Los Caprichos". Etching with aquatint in black-...
    Category

    1880s Modern Figurative Prints

    Materials

    Etching, Aquatint

Recently Viewed

View All